DEPTH OF FIELD
Aside from
promoting and advocating life insurance, businessman Paul Borromeo maintains a
good balance by taking time off for family life and to capture still life.
I remember
talking to one of his closest friends, and he proudly pointed out that Paul
showed a lot of promise in the field of photography even when they were in high
school. “He has always had the eye for great photos.”
Hip and cool at
44, Paul is like a kid full of ideas every time I see him work at photo shoots.
It’s like seeing Paul in his own wonderland, creating magic through his rabbit
hole of a lens. It has always been such an ease to spearhead and execute
projects with him in the wing. We’ve collaborated over series of PR and
advertising campaigns since 2007, and, to this day, I remain one of his loyal
fans.
His visually
arresting art and style has spurred the interest of thousands of shutterbugs
netizens, and aspiring young artists in the country. Check his friends list on Facebook and you’ll understand what I
mean.
What’s so great
about this man is his passion to share ideas with curious minds. He devotes
time to reply to questions and throw in a few tips and suggestions to budding
artists, whether on line or in close encounters.
What he knows, he
shares. It’s just like giving back all the knowledge that helped hone his
skills and made him who he is now in the industry. “After all, my art is a
collaboration of so many happy coincidences. It’s a product of shared ideas and
experiences from pros and other practitioners who I’ve had the privilege of
working with.”
At the early age
of 11, Paul started off with a Kodak Instamatic, which was given by a family
friend, and his love affair with photography blossomed while he experimented
with lights and shadows. “I got caught up with the idea of freezing time and
emotions, and documenting a part of history and the past.”
“Then I joined the
yearbook committee when I was 16. Given the unlimited rolls of film I was
supplied with, I had the best time going around campus to photograph scenes and
images of high school life.”
“I got even more
hooked into photography when the digital cameras came out. At that time, I explored more with landscape,
travel, and street photography."
Sometime 2003 or
2004, Paul was introduced to some of the most respected photographers in the
Davao community. These were names which he just once read in newspapers or
exhibits. “I remember Tatay Rene (Lumawag) showing me how to properly use my
Nikon 5700, in one of the Kadayawan sunrise events. I also got a bit of enlightenment from Chiaw
Yap, who gave me detailed pointers on lights and shadows. Through them, I got
to understand the so-called passion in photography. The fascination wasn’t more
on the technical aspects, but on sharing ideas instead. In the process of
immersion with the Camera Club of Davao, I got to meet fellow enthusiasts who
formed online groups and shared ideas and critiques to make the craft better.”
“I also got to meet
Rhonson Ng during the ASEAN Tourism Forum, and we, together with Jojie
Alcantara, became steadfast friends and photo buddies since then. In one of
those days when Rhonson and I used to hang around their studio, I met a model
friend of theirs, Karen Johnson, whose elegance drew me closer to portraiture.
Soon, I found myself going deeper into this wonderful rabbit hole of creativity,
and invested heavily in portraiture when I did my first workshop with Manny
Librodo in Iloilo.”
With much
passion and interest in honing his craft and sharing his ideas, he took the big
leap by constructing his own studio, just within the comfort of home. In 2009,
Leadfoto Studios was born.
“The idea came from my wife, Nina. She suggested that I just set up a studio near our house. Then my sister pointed towards a vacant family property in our area. Together with Saldy Mascardo, I began designing what I envisioned to have --- a studio where artists could meet and share in a non-commercial environment.”
With fellow collaborators, Paul staged numerous productions and photo shoots which further increased his fan base on Facebook and around town. He inspired more photographers to step out of their perceived self, think out of the box, and just have fun experimenting.
“The idea came from my wife, Nina. She suggested that I just set up a studio near our house. Then my sister pointed towards a vacant family property in our area. Together with Saldy Mascardo, I began designing what I envisioned to have --- a studio where artists could meet and share in a non-commercial environment.”
With fellow collaborators, Paul staged numerous productions and photo shoots which further increased his fan base on Facebook and around town. He inspired more photographers to step out of their perceived self, think out of the box, and just have fun experimenting.
Paul with fellow collaborators at Leadfoto Studios. |
“To this day,
Leadfoto Studios continues to evolve and grow. It is not a commercial studio,
but a venue to create. Photo workshops such as the Lyrical Light series
originated in Leadfoto, the same way make up seminars of Tiny Pili and Mae Ann
Cortez and satellite workshops by Marlon Advincula have been born out of this
studio as well.”
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